OK Nueva Cancion – Colegio Trilingüe Bertha Von Glümer

Item Tag: Nueva Cancion

Violeta Parra

TITLE: Violeta Parra. El Sacristan. Paloma Ausente. Son Tus Ojos. La Juana Rosa. La Petaquita. Casamiento De Negros. El Diablo En El Paraiso.

GLORIA MARTIN -LO NUESTRO ES CANTAR / JUAN- 1970 MEXICAN 7¨ SINGLE, FOLK

Visit our eBay Shop WORLDWIDE SHIPPING7? recordsshipping & handling fees MEDIA MAIL:USA 1st CLASS MAIL:CANADA1st CLASS MAIL:REST OF THE WORLD One to three 7? records $4.50 USD $14.00 USD $18.00 USD Four 7? records $5.50 USD $16.00 USD $26.00 USDWE ONLY SHIP ON MONDAYSIf you prefer express shipping, please let us knowHello on recent days we bought a large collection from a Mexican executive of a record company that includes a lot of promo records and very hard to find collector?s items that we will be uploading for you. Bid while you can!ITEM DESCRIPTION:GLORIA MARTIN – LO NUESTRO ES CANTAR / JUAN – 1970 MEXICAN 7¨, SINGLECATALOG NUMBER C-70-12WE GRADE VISUALLY USING GOLDMINE GRADING GUIDEWe gladly combine shipping on multiple auction winsANY QUESTIONS ABOUT SHIPPING, WEIGHT, ITEM INFO, ETC. FEEL FREE TO ASK

Victor Jara Compañero LP Americanto A-1003 1st Press 16 page Booklet NEW RARE

Victor Jara Compañero LP Americanto A-1003 1st Press 16 page Booklet NEW Sealed RARE Víctor Lidio Jara Martínez ( 28 September 1932 – 16 September 1973) was a Chilean teacher, theater director, poet, singer-songwriter and Communist political activist. He developed Chilean theater by directing a broad array of works, ranging from locally produced plays to world classics, as well as the experimental work of playwrights such as Ann Jellicoe. He also played a pivotal role among neo-folkloric musicians who established the Nueva canción chilena (New Chilean Song) movement. This led to an uprising of new sounds in popular music during the administration of President Salvador Allende. In 1957, he met Violeta Parra, a singer who had steered folk music in Chile toward modern song composition rooted in traditional forms, and who had established musical community centers called peñas to incorporate folk music into everyday life. Jara absorbed these lessons and began singing with a group called Cuncumén, with whom he continued his explorations of Chile’s traditional music. He worked as a guitarist and vocalist from 1957 to 1963. He was deeply influenced by the folk music of Chile and other Latin American countries, and by artists such as Parra, Atahualpa Yupanqui, and the poet Pablo Neruda. In the 1960s, Jara started specializing in folk music and sang at Santiago’s La Peña de Los Parra, owned by Ángel Parra. Through these activities, he became involved in the Nueva canción movement of Latin American folk music